The retrospective exhibition Training Ground highlights alumni and current students of the South Australian School of Art, gravitating to the latter decades of its long history.

William Yang returned to OzAsia with his latest monologue-with-pictures. It is called Milestone, and is a reminder of how many of them he has had.

In a highly emotional farewell to one of Australia’s greatest actors, David Gulpilil’s dying wish is fulfilled: his body returned to Yolŋu country and a film crew documenting each ceremony along the way.

Tony Birch is one of our leading writers and a master of the short story, as this new collection proves.

In our regular Q&A column What’s My Scene, InReview speaks to emerging and established local artists to get their take on the South Australian creative scene and their place within it. This week, Kultar Ahluwalia reflects on Adelaide’s early 2000s hip-hop scene and the fundamental human need to tell stories.

Lyn Dickens’ award-winning debut Salt Upon the Water reveals the fascinating, cosmopolitan and complicated past of Adelaide’s famed surveyor and designer Colonel William Light.