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SALA 2024
SALA 2024
Green Room: Film Festival sneak peek, winning words
Eerie images shine fresh light on our selfie obsession
How creative can you get with an A5 piece of board?
Sliding into the artist’s world
Raw emotion: Tom Phillips’ Running on Empty
Green Room: Awe-some art, jazz meets hip-hop
Narelle Autio’s otherworldy images capture the mystery of the deep
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Eight shows to see this SALA Festival
Visual Art
Visual Art
Art of glass: Chihuly spectacle set to shatter expectations of the medium
In the Studio with Kyoko Hashimoto
A playful exploration of what we hold dear
Eerie images shine fresh light on our selfie obsession
Stunning yet 'sinister': Beauty is in the eye of the photographer
Beyond Weird: Artist's colourful tribute to famous South Australians
How creative can you get with an A5 piece of board?
This is why we have to talk about Gauguin ...
Sliding into the artist’s world
Music
Music
Guitar Festival review: Paco Peña – Requiem for the Earth
Music review: Realising a Dream
‘I love the raw storytelling of Blak country’
Music review: Fans rock out at Iron Maiden's Adelaide show
Music review: Umberto Clerici and Friends
Opera review: Così fan tutte
The band is getting back together: 10 Oasis songs you should know
School-shooting opera leads first 2025 Adelaide Festival announcement
A blazing spectacle: 20 years on, the Adelaide Ring remains unforgettable
Theatre
Theatre
No punches are pulled in this raw portrayal of mental illness
The Puzzle: High-seas shenanigans with David Williamson
Theatre review: Shore Break
Slingsby announces its final chapter
Chris Pitman rides the wave of his two loves
Theatre review: 'Julia' offers a creative insight into our first female PM
Mitchell Butel to leave State Theatre for a new stage
Mamma Mia! Thank you for the music, Bjorn Again!
Musical review: Chicago
Film & TV
Film & TV
Riding the last wave: Peter Weir awarded Golden Lion in Venice
Film review: Beetlejuice Beetlejuice
Streaming picks: From Occupied City to Hearts of Darkness
Film review: Afraid
What we can learn from ABC TV's The Assembly
Thriller about Peter Greste’s jail nightmare to open 2024 Adelaide Film Festival
Susie Youssef walks the talk in her latest TV role
Ashes to ashes: Why Shaun Micallef doesn't look back
Film review: It Ends with Us
Festivals
Festivals
Riding the last wave: Peter Weir awarded Golden Lion in Venice
‘I love the raw storytelling of Blak country’
School-shooting opera leads first 2025 Adelaide Festival announcement
Sliding into the artist’s world
Thriller about Peter Greste’s jail nightmare to open 2024 Adelaide Film Festival
Back to Earth: The return of flamenco legend Paco Peña
Narelle Autio’s otherworldy images capture the mystery of the deep
Eight shows to see this SALA Festival
From drag queens to a wedding banquet: OzAsia unveils a diverse line-up for 2024
Books & Poetry
Books & Poetry
Book review: Stories of Futures Near and Far
Around the twist: Kinsella's weird and all-too-real tales
Poem: Bin Chicken Meditation
Poem: West
Diary of a Book Addict: South Australia’s best books of the 21st century
Beyond Weird: Artist's colourful tribute to famous South Australians
Poems: Mute & Ms Houdini
Poem: The Piano
Poem: Focus
Green Room
Green Room
Green Room: Moving on, good buys, all Akimbo
Green Room: Film Festival sneak peek, winning words
Green Room: From the sublime to the barbarous
Green Room: Awe-some art, jazz meets hip-hop
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Vitalstatistix welcomes new artistic director
Green Room: Choirs on a high, art prizes, poster callout
Green Room: SALA sees the light, celebrating excellence
Green Room: She Speaks, ‘unruly’ art, back on the bus
Dance
Dance
Green Room: From the sublime to the barbarous
Dance review: Little Murmur
Music review: ACO's Silence & Rapture
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Dance review: The Australian Ballet’s Jewels
Adelaide Festival review: Jungle Book Reimagined
Adelaide Festival review: Marrow
Adelaide Festival review: Guuranda
Adelaide Festival review: Private View
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SALA 2024
Visual Art
Music
Theatre
Film & TV
Festivals
Books & Poetry
Green Room
Dance
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Contributor
Brendan Coates
About Brendan -
Brendan Coates is a f
ellow of the Grattan Institute.
Articles by Brendan
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