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SALA 2024
SALA 2024
Green Room: Film Festival sneak peek, winning words
Eerie images shine fresh light on our selfie obsession
How creative can you get with an A5 piece of board?
Sliding into the artist’s world
Raw emotion: Tom Phillips’ Running on Empty
Green Room: Awe-some art, jazz meets hip-hop
Narelle Autio’s otherworldy images capture the mystery of the deep
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Eight shows to see this SALA Festival
Visual Art
Visual Art
Eerie images shine fresh light on our selfie obsession
Stunning yet 'sinister': Beauty is in the eye of the photographer
Beyond Weird: Artist's colourful tribute to famous South Australians
How creative can you get with an A5 piece of board?
This is why we have to talk about Gauguin ...
Sliding into the artist’s world
A fitting finale for an Adelaide gallery whose swagger will be hard to replicate
Raw emotion: Tom Phillips’ Running on Empty
Earthy artworks a poignant reflection of the ancient lands that inspired them
Music
Music
Into the tunnel of love - almost with Dire Straits
Music review: Realising a Dream
‘I love the raw storytelling of Blak country’
Music review: Fans rock out at Iron Maiden's Adelaide show
Music review: Umberto Clerici and Friends
Opera review: Così fan tutte
The band is getting back together: 10 Oasis songs you should know
School-shooting opera leads first 2025 Adelaide Festival announcement
A blazing spectacle: 20 years on, the Adelaide Ring remains unforgettable
Theatre
Theatre
The Puzzle: High-seas shenanigans with David Williamson
Theatre review: Shore Break
Slingsby announces its final chapter
Chris Pitman rides the wave of his two loves
Theatre review: 'Julia' offers a creative insight into our first female PM
Mitchell Butel to leave State Theatre for a new stage
Mamma Mia! Thank you for the music, Bjorn Again!
Musical review: Chicago
Dastardly foes and derring-do: There’s no mystery to the popularity of Great Detectives
Film & TV
Film & TV
Riding the last wave: Peter Weir awarded Golden Lion in Venice
Film review: Beetlejuice Beetlejuice
Streaming picks: From Occupied City to Hearts of Darkness
Film review: Afraid
What we can learn from ABC TV's The Assembly
Thriller about Peter Greste’s jail nightmare to open 2024 Adelaide Film Festival
Susie Youssef walks the talk in her latest TV role
Ashes to ashes: Why Shaun Micallef doesn't look back
Film review: It Ends with Us
Festivals
Festivals
Riding the last wave: Peter Weir awarded Golden Lion in Venice
‘I love the raw storytelling of Blak country’
School-shooting opera leads first 2025 Adelaide Festival announcement
Sliding into the artist’s world
Thriller about Peter Greste’s jail nightmare to open 2024 Adelaide Film Festival
Back to Earth: The return of flamenco legend Paco Peña
Narelle Autio’s otherworldy images capture the mystery of the deep
Eight shows to see this SALA Festival
From drag queens to a wedding banquet: OzAsia unveils a diverse line-up for 2024
Books & Poetry
Books & Poetry
Poem: West
Diary of a Book Addict: South Australia’s best books of the 21st century
Beyond Weird: Artist's colourful tribute to famous South Australians
Poems: Mute & Ms Houdini
Poem: The Piano
Poem: Focus
Fathers and sons ... take your time, think a lot, think of everything you've got
New owner to make her imprint on beloved Adelaide bookshop
Going it alone? Here's your go-to guide to travelling solo
Green Room
Green Room
Green Room: Film Festival sneak peek, winning words
Green Room: From the sublime to the barbarous
Green Room: Awe-some art, jazz meets hip-hop
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Vitalstatistix welcomes new artistic director
Green Room: Choirs on a high, art prizes, poster callout
Green Room: SALA sees the light, celebrating excellence
Green Room: She Speaks, ‘unruly’ art, back on the bus
Green Room: ‘The longer you look the more Moore you see’
Dance
Dance
Green Room: From the sublime to the barbarous
Dance review: Little Murmur
Music review: ACO's Silence & Rapture
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Dance review: The Australian Ballet’s Jewels
Adelaide Festival review: Jungle Book Reimagined
Adelaide Festival review: Marrow
Adelaide Festival review: Guuranda
Adelaide Festival review: Private View
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SALA 2024
Visual Art
Music
Theatre
Film & TV
Festivals
Books & Poetry
Green Room
Dance
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Contributor
Xin Deng
About Xin -
Xin Deng is a lecturer in Economics at the UniSA Business School.
Articles by Xin
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