InReview InReview

Support independent journalism


Matt Walker & Shane Reilly with Velvet Moth


An evening of superb guitar musicianship at the Space Theatre ended the 2016 Adelaide Guitar Festival, bringing together both old and new sounds.

Comments Print article

Eleven-year-old Noah Chan, from the festival’s 15 Minutes of Fame competition, kicked off the evening with a trio of neat instrumentals. He won the People’s Choice Award to get this slot, and on the evidence of his playing, it’s easy to see why – the humble young fender-bender seems set for a huge musical future.

Matt Walker and Shane Reilly are half of the Melbourne-based band The Lost Ragas, but last night they performed as a duo. Walker’s performance was a tad subdued and melancholy, with his uncomplicated playing style proving that sometimes less is more, while Reilly’s pedal steel guitar elevated his songs to the stratosphere. Reilly adds tone, mood, texture, atmosphere and depth to the soundscape, which is a fascinating way to contrast the different performing styles.

The technical and precise Reilly’s 20-string instrument adds layers of real character over the unpretentious and unadorned voice of Walker’s 1940s English hollow-body guitar.  Most of the pieces were beautifully constructed and gently wistful with a wash of colour provided by the slide.

Reilly appeared to be the star of the show until the finale jam with Velvet Moth, where Walker showed his real talent, musicality and virtuosity on a couple of songs by the Velvet Underground and the Grateful Dead.

Whats on Guitar Festival Sound of Music angels and more

Velvet Moth. Photo: Dave Birch Photography

The night was closed by Velvet Moth, a group of excellent musicians who have found their niche with a sound firmly stuck in the groove of the late 1960s and early 1970s. They are impressive, intricate and ornamental in what they do.

Nikko (vocals and lead guitar) and James Beige (rhythm guitar) are rock-solid practitioners, while Dee-Kay (bass) and Guillermo Montoya (drums) provide a concrete rhythm section.

The quartet opened with songs which appeared to be channelling The Doors’ Soft Parade album, and the tunes were enjoyable enough. But the real passion arrived when the band hit a rock-n-roll vein with “Little Critters” – about the dark side of entomology – and “Asleep at the Wheel.”

Overall, Velvet Moth are impressive with their original material. However, they shined brightest during the finale as they were joined on stage by Reilly and Walker to pay homage to Lou Reed and Jerry Garcia.

It’s another two years before we can again celebrate the world’s most popular musical instrument at the Adelaide Guitar Festival. With superb and world-class musicians, the biennial event pretty much guarantees a fine night out, and this year has been no exception.

Make a comment View comment guidelines

Support local arts journalism

Your support will help us continue the important work of InReview in publishing free professional journalism that celebrates, interrogates and amplifies arts and culture in South Australia.

Donate Here


Show comments Hide comments
Will my comment be published? Read the guidelines.

. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines.

You must attribute the author and note prominently that the article was originally published by InReview.  You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner. However, if the image has an InReview photographer credit or is marked as “supplied”, you are free to republish it with the appropriate credits.

We recommend you set the canonical link of this content to to insure that your SEO is not penalised.

Copied to Clipboard

More Festivals stories

Loading next article