InReview InReview

Support independent journalism


OzAsia Festival's success continues to grow


The 2019 OzAsia Festival has been hailed by artistic director Joseph Mitchell as the most successful yet, with around 200,000 attendances and nine shows selling out

Print article

The 18-day festival closed yesterday, with events and shows over the final weekend including JLF Adelaide (the second Adelaide edition of India’s Jaipur Literature Festival) at the Adelaide Festival Centre and acclaimed choreographer Akram Khan’s new work, Outwitting the Devil, at the Dunstan Playhouse (read review here).

The total number of attendances is calculated from those attending both ticketed shows and free events, including the popular Moon Lantern Parade in Elder Park.

Sold-out shows at the 13th annual festival included Light, a theatre work co-commissioned by OzAsia and inspired by the lives of SA’s first surveyor-general, William Light, and his father Francis, founder of the British colony of Penang.

£¥€$ (by the company that presented previous Adelaide Festival and Fringe hits The Smile Off Your Face and Fight Night), “theatrical culinary experience” Surpassing the Beeline and quirky Japanese play The Dark Master also sold out.

Guests at JLF Adelaide on the weekend. Photo: Daniel Purvis

“This has been our most successful festival to date, with an overwhelmingly positive response to this year’s program of stunning dance, provocative theatre, enchanting music, eye-opening film and awe-inspiring visual art,” Mitchell said.

“We are thrilled with the rave reviews we’ve received from critics and audience members alike – especially [for] Australian premieres and Adelaide exclusives such as Cuckoo by South Korea’s Jaha Koo and My Home at the Intersection by Punjabi theatre maker Abhishek Thapar. And to have internationally renowned artists like Stan Lai, Akram Khan and Nitin Sawhney presenting works has been one of the many highlights of this year’s festival.”

Adelaide Festival Centre CEO and artistic director Douglas Gautier said the “beautiful spring weather” during the festival had helped attract crowds of more than 38,000 to the Moon Lantern Parade and 88,000 to the Lucky Dumpling Market on the riverbank.

A number of OzAsia art exhibitions will continue over the next month, including Sonic Blossom (Art Gallery of South Australia), Taiwanese-American artist Lee Mingwei’s “gift of song” to gallery visitors; and visual artist and filmmaker Fiona Tan’s Ascent (Samstag Museum), a reflection on Japan’s Mount Fuji.

See all InDaily’s OzAsia Festival stories and reviews here.

Make a comment View comment guidelines

Support local arts journalism

Your support will help us continue the important work of InReview in publishing free professional journalism that celebrates, interrogates and amplifies arts and culture in South Australia.

Donate Here

. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines.

You must attribute the author and note prominently that the article was originally published by InReview.  You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner. However, if the image has an InReview photographer credit or is marked as “supplied”, you are free to republish it with the appropriate credits.

We recommend you set the canonical link of this content to to insure that your SEO is not penalised.

Copied to Clipboard

More Festivals stories

Loading next article