InReview InReview

Support independent journalism


Shop window theatre show to explore fact and fiction in the online world


An Adelaide playwright says her new public theatre show, to be performed in a city shopfront window, was inspired by photos taken of the Duchess of Cambridge after she gave birth to her third child.

Comments Print article

“The Kate Middleton third baby reveal on the steps of hospital was a really interesting moment in media,” says local writer Rebecca Meston, who next week will present her latest work, If You Can Learn to Fake Authenticity You’ve Got it Made.

“Hours before she had gone through labour and then she was out on the steps like that in very high heels and a lot of makeup and a designer dress and I started to think about what the two hours before that photo was taken looked like.

“I know how I looked after I went through labour and it certainly wasn’t like that.”

The Duke and Duchess of Cambridge leaving St Mary’s Hospital, London, just hours after the birth of their third child. Photo: John Stillwell / PA

The Duchess of Cambridge’s appearance outside London’s St Mary’s Hospital steps sparked mixed reactions across the globe – from sympathy for the amount of pressure she must have been under to look her best, to criticism for creating impossibly high expectations for other women.

For Meston, the reaction was one of intrigue.

“It made me think about private versus public and real versus avatar and that’s just really interesting terrain for me theatrically with these starkly opposing spaces.

“Our real selves and our avatars are separate and yet sometimes it’s slightly alarming how some people are forgetting. It’s a bit of a slippery slope.”

If You Can Learn to Fake Authenticity You’ve Got it Made explores the fabrication of truth online, particularly in the age of social media.

“I’m really interested in particular Instagram celebrities who really crafted a world of authentic and very #blessed and #nofilter through frames that look like they just woke up looking perfect,” says Meston.

“I started to think about what’s outside of frames and what goes into the creation of making things look so natural.

“I feel like we’re increasingly in a digital age where we just scroll on by so much that all the crafting and authenticity isn’t getting questioned anymore.”

The three-hour long silent performance, taking place in FELTSpace Gallery’s Compton Street shop window over the coming fortnight, comprises six scenes of “choreographed vignettes” that explore the relationships people have with their real and online selves.

The vignettes, to be performed by local actors Hew Parham and Natalia Sledz, will rotate on a loop over three hours, with audiences invited to watch for as long or as little as they like.

“I wanted to make a show that was really accessible and free and went to audiences rather than audiences going to it,” Meston says.

“A lot of audiences don’t feel comfortable going into an art gallery or going into a big arts centre for whatever reason, so I’m interested in audiences that are just on their way to the shops or on their way to get their veggies from the market and they just get caught by it.”

Meston says the end goal is to make people question their own choices online.

“I think technology is great but we’re in warped-speed territory and I’m just asking questions about it.

“I’m seeing it more like an archaeological dig and we’ve got our head torches on and we’re digging deep into what it.”

If You Can Learn to Fake Authenticity You’ve Got it Made will be performed at FELTSpace Gallery, 12 Compton Street Adelaide, next Friday and June 2 from 7-10pm.

Make a comment View comment guidelines

Support local arts journalism

Your support will help us continue the important work of InReview in publishing free professional journalism that celebrates, interrogates and amplifies arts and culture in South Australia.

Donate Here


Show comments Hide comments
Will my comment be published? Read the guidelines.

. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines.

You must attribute the author and note prominently that the article was originally published by InReview.  You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner. However, if the image has an InReview photographer credit or is marked as “supplied”, you are free to republish it with the appropriate credits.

We recommend you set the canonical link of this content to to insure that your SEO is not penalised.

Copied to Clipboard

More Theatre stories

Loading next article