
Adelaide Film Festival review: My Life as a Zucchini
This refreshing and beautiful Oscar-nominated film presents a very non-Dickensian take on the orphanage experience, writes Heather Taylor Johnson.
This refreshing and beautiful Oscar-nominated film presents a very non-Dickensian take on the orphanage experience, writes Heather Taylor Johnson.
“Imagine the way you want to live and then build it.” Big Time, a documentary profile of Bjarke Ingels — founder of the Bjarke Ingels Group (BIG) — takes us deep inside the mind of a design master.
Can’t tell a Buff Orpington from a Barred Plymouth Rock? Watch Pecking Order’s exposé of the New Zealand poultry scene and you’ll definitely learn the difference between a cock of the walk and a feather duster.
Fans of Luc Besson’s cult film The Big Blue are guaranteed to be fascinated by Dolphin Man.
Described as the first fully painted feature film, Loving Vincent is an innovative exploration of the life and death of one of the most celebrated painters of all time.
Warwick Thornton’s period western Sweet Country is a shocking film that is, at times, difficult to watch. But as the director told its Australian premiere in Adelaide, it is a story that needs to be told.