Music review: The ASO's Ecstasy
To hear Anthony Marwood play Korngold’s Violin Concerto genuinely as a concerto and not as film music was revelatory, and so was Chloé van Soeterstède’s conducting in two much-loved works by Debussy and Rachmaninov.
To hear Anthony Marwood play Korngold’s Violin Concerto genuinely as a concerto and not as film music was revelatory, and so was Chloé van Soeterstède’s conducting in two much-loved works by Debussy and Rachmaninov.