
Theatre review: Class Act
This highly-entertaining reconstruction (and deconstruction) of My Fair Lady takes comedic and confessional detours through artist Mish Grigor’s life, landing the show’s class commentary squarely on Australian shores.
This highly-entertaining reconstruction (and deconstruction) of My Fair Lady takes comedic and confessional detours through artist Mish Grigor’s life, landing the show’s class commentary squarely on Australian shores.
Kinetik Collective’s debut production is an unforgettable iteration of a controversial Australian play, made their own through multi-disciplinary collaboration at the intersection of technology and performance.
The Bakehouse Theatre has chosen one of the 20th century’s great plays to mark its last hurrah and it hits all the show-stopping notes we’ve come to expect.
Overflowing with wit and mercurial polemic, Watchlist at The Bakehouse is an ambitious comedy with a sharp message.
The musical version of the loved film poses some challenges to an audience as it winds its way to an inspirational ending via a thicket of broad northern accents, coal-mining politics, death, loss and poverty.
Emerging from this outstanding stage adaptation of George Orwell’s 1984, you feel something like Winston Smith leaving the Ministry of Love: psychologically crushed and grateful for it.