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Visual Art
Visual Art
Lobethal woollen mill forms the fabric of new arts hub
Dangerously modern: Art Gallery to shine a light on trailblazing women
Memories blur and blend in Archie Moore’s immersive ‘Dwelling’
Ghostly hybrid forms give viewers much to reflect on
Sam Gold’s blue-hued ceramic artworks celebrate fluidity
Step into Bridget Currie’s world – and the world of Carrick Hill
In the Studio with Truc Truong, two fab pets and a mass of toys
Chihuly sheds colourful new light on Botanic Garden
A multi-sensory exploration of the impacts of displacement
Music
Music
Music review: A Night of Jazz with Jazzmeia Horn 2024
OzAsia review: The Mixed-Race Tape
Music review: ASO’s Reverie
Opera set in an airport terminal to land in Adelaide in 2025
Music review: UKARIA 24 features a bundle of surprises
Are market giants endangering Australia’s live music scene?
PJ Harvey leads WOMADelaide’s first line-up reveal for 2025
'I listened to my inner foghorn': Kasey Chambers' revelations on love, life and music
Music review: Adelaide Chamber Singers’ Elemental
Theatre
Theatre
OzAsia review: The Story of Chi
Change is in the air as State Theatre launches 2025 season
OzAsia review: Scored in Silence
Theatre review: Moss Piglet
Dictionary of Lost Words to return to the stage
Musical review: Grease the Musical
Theatre review: A Cheery Soul
Theatre review: Class Act
Theatre review: The Puzzle
Film & TV
Film & TV
Film Festival review: Kangaroo Island
Film Festival review: We Bury The Dead
Film Festival review: I Am the River, The River is Me
Film Festival review: Blitz
Film classic reboot: Paris, Texas - still a haunting tale of loss and redemption
Film Festival review: Emilia Pérez
Film Festival review: Anora
Film Festival review: The Correspondent
Netflix's Territory is a Succession-style drama with a wild Top End vibe
Festivals
Festivals
2025 Adelaide Festival promises a whole lotta love
OzAsia review: The Mixed-Race Tape
OzAsia review: Scored in Silence
Memories blur and blend in Archie Moore’s immersive ‘Dwelling’
Five ways to make the most of the 2024 OzAsia Festival
Film star Lars Eidinger on Dying, kangaroos and the secret of his acting success
PJ Harvey leads WOMADelaide’s first line-up reveal for 2025
Kangaroo Island sets the scene for Film Festival gala screening
The Audreys return as Semaphore Music Festival celebrates 20 years
Books & Poetry
Books & Poetry
Diary of a Book Addict: For the sake of the children
Poems: Sights of spring
A heart-woofing tale, designed and told by Gucci
Poems: Birds of a feather
The life and (sometimes dark) times of fashion maverick Alexander McQueen
Powerful memoir wins top prize in 2024 SA Literary Awards
Poem: At the Supermarket
Library director closes the book on distinguished career
Book review: Little Bit
Green Room
Green Room
Green Room: Art fair, Raw talent, picture the Park Lands
Green Room: Carclew's goals, music criticism and awards
Green Room: Feast on this, Limitless art, Weekend of Words
Green Room: Moving on, good buys, all Akimbo
Green Room: Film Festival sneak peek, winning words
Green Room: From the sublime to the barbarous
Green Room: Awe-some art, jazz meets hip-hop
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Vitalstatistix welcomes new artistic director
Dance
Dance
Green Room: From the sublime to the barbarous
Dance review: Little Murmur
Music review: ACO's Silence & Rapture
Green Room: Dance opportunity, Queen’s upgrade, cabaret callout
Dance review: The Australian Ballet’s Jewels
Adelaide Festival review: Jungle Book Reimagined
Adelaide Festival review: Marrow
Adelaide Festival review: Guuranda
Adelaide Festival review: Private View
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Natalie Parletta / The Conversation
Articles by Natalie Parletta / The
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