This glittering production of George Balanchine’s Jewels is as much a crowd-pleasing display of dazzling eye candy as a showcase for the ballet aficionado, with the technical prowess of the company’s dancers exhibited in three acts of divergent styles.
Akram Khan’s latest collaboration brings Rudyard Kipling’s 19th-century classic into contemporary relevance, its post-apocalyptic setting, reimagined characters and flawless, multi-layered production transforming the beloved children’s tale into an urgent call to action.
Baleen Moondjan is an epic Ngugi/Nunukul/Moondjan story of great beauty, sorrow and dignity told under darkening sky and measured out by the timeless beat of waves on the sands of Pathawilyangga in this unforgettable performance.
Audience members will be invited to play the role of voyeur in Private View, an Adelaide Festival show highlighting diverse and often hidden experiences of sex, love, romance and desire.
Presenting his first major commission since concluding his culture-defining stint at Bangarra Dance Theatre, Stephen Page will open the 2024 Adelaide Festival with a hypnotically beautiful work that reflects both his own career stage and Australia’s public conversation.
Ever been to a dance performance and wondered what it was all about? These basics can open the door to enjoying the beauty and complexity of this physical art.
In a work brimming with vulnerability and vitality, the artists at Australian Dance Theatre ask us to pause and look inwards to our nation’s heart.
This cinematic opera combines aspects of traditional dance and song with modern visuals in projections and puppetry for an unforgettably reverent deep dive into the ocean of Narungga creation stories.
Infectious beats and bold visuals fuse with breathtaking physicality as celebrated Bulareyaung Dance Company perform tiaen tiamen Episode 1 for the first time beyond the shores of Taiwan.
SA arts & culture news in brief: Australian Dance Theatre’s Daniel Riley to perform in a special return season of Tracker, Adelaide Fringe announces the first recipients of its 2024 grants, and a picnic to celebrate 35 years of Young Adelaide Voices.
Staging a well-loved classic while keeping it fresh is a tricky task, but the Australian Ballet pulls it off in this glorious showpiece for the company’s 60th-anniversary celebration.
If you love a tutu spectacular, you’ll love The Australian Ballet’s new production of Swan Lake with dancers swathed in a river of tulle accompanied by the music of Tchaikovsky played by our top orchestras.
Restless Dance Theatre’s exploration of sex, love and intimacy is gentle, playful and moving.
Dancing can take a heavy toll on the professional artist’s body, but the aesthetic qualities of Javanese dance and rich creative collaborations have helped Adelaide-based Ade Suharto develop a practice to last a lifetime.
From the divine elegance of Rafael Bonachela’s I Am-ness to the wild explosion of Antony Hamilton’s Forever & Ever, this triple bill is a vibrant celebration of contemporary dance forms and what they have to say about the origins of dance.
If you’ve never seen Canadian dance theatre company Kidd Pivot, you’ve never seen anything like Revisor. This is the type of ground-breaking work that only happens once in a generation.
Utterly compelling, Jurrungu Ngan-ga [Straight Talk] is a potent portrayal of the play between power and oppression, and a powerful moment of truth-telling by those unjustly forced to the margins of society.
Australian Dance Theatre’s Tracker is a powerful evocation of the life of artistic director Daniel Riley’s great-great uncle, Alec “Tracker’ Riley, through an ambitious blend of contemporary dance, theatre, and ceremony.