InReview InReview

SA QLD
Support independent journalism

Festivals

OzAsia review: What the Day Owes to the Night

Festivals

French-Algerian choreographer Hervé Koubi’s What the Day Owes to the Night is an exhilarating, explosive performance by 12 men who dance, leap and lift like Olympic athletes.

Print article

For this OzAsia Festival show – inspired by a novel by Algerian writer Yasmina Khadra – Koubi has assembled a multinational troupe of performers, some of whom are self-taught street dancers who perform capoeira.

What the Day Owes to the Night begins with a group of men reaching to the sky. As they break apart, they each undertake a journey reflecting their personal styles of movement.

The men’s muscular torsos are bare, and their white, flowing pants give them an appearance of rugged, classical beauty like the ancient Greeks captured in statues. The stage images created by the dancers, complemented with soft lighting and a light stage floor, are picturesque and exquisitely positioned.

The music is also superb; never too loud or dominating yet always evoking the right mood for the scene. Occasionally, solo instruments with an Algerian flavour or African percussion enhance the ambiance, but for the climaxes there is rousing opera and orchestral music. Frenetic music and movement is followed by breath-taking moments of silence and stillness.

The performers are talented gymnasts. They build mountains with their bodies, then suddenly one leaps over the top, leaving the audience to marvel at their skill and athleticism, as well as the genius of the choreographer. They throw each other up horizontally, then lift one man vertically, gliding with him upstage where he is lowered and they all collapse in an image worthy of a Michelangelo artwork.

What the Day Owes to the Night. Photo: Nathalie Sternalski

The dancing styles are constantly varied, as ensemble members twirl on their heads or hands, glide across the floor, roll and tumble and then become more militaristic and menacing.

Throughout the performance they remain bonded, together, as one. There is a tremendous sense of camaraderie and empathy, as if they understand the suffering in each other’s journey to discover themselves and their place in the world.

The dancing is continuous energy, driven by powerful masculinity that entertains, surprises, delights, and stirs the emotions and senses. What the Day Owes to the Night is a brilliant and inspirational performance by the multicultural Compagnie Hervé Koubi.

Compagnie Hervé Koubi is presenting the final performance of What the Day Owes to the Night at the Dunstan Playhouse tonight. The 2019 OzAsia Festival continues until November 3. Read all InDaily’s stories and reviews here.

Make a comment View comment guidelines

Support local arts journalism

Your support will help us continue the important work of InReview in publishing free professional journalism that celebrates, interrogates and amplifies arts and culture in South Australia.

Donate Here

. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines.

You must attribute the author and note prominently that the article was originally published by InReview.  You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner. However, if the image has an InReview photographer credit or is marked as “supplied”, you are free to republish it with the appropriate credits.

We recommend you set the canonical link of this content to https://inreview.com.au/inreview/festivals/2019/10/23/ozasia-review-what-the-day-owes-to-the-night/ to insure that your SEO is not penalised.

Copied to Clipboard

More Festivals stories

Loading next article