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Visual Art
Visual Art
Julia Robinson invites us into her haunted landscape
What the dot: Performativity in Aboriginal art
In the Studio with Tsering Hannaford
Notorious Tudor king looms larger than life
Curator announced for 2026 Adelaide Biennial
Surrender and Catch represents a life laid out in imagery
In the Studio with Cheryl Bridgart
Artist invites us to feast on a celebration of her Filipino heritage
The art of collecting: A conversation with Diana Jaquillard
Music
Music
Music review: Unsound Adelaide 2024
Music review: Adelaide Guitar Festival Winter Warm Up
Music review: Joep Beving's Hermetism
Peter Rowsthorn gives 'em the old razzle dazzle in Chicago
A piano recital like no other
In tune with our Celtic roots - from Vince Jones to AC/DC
Music review: From Siberia to Sibelius
Music review: ASQ's Vanguard
Review: Rachmaninov, The Symphonies – Concert 3
Theatre
Theatre
‘Not now, not ever’: Justine Clarke returns to the Adelaide stage as Julia
Peter Rowsthorn gives 'em the old razzle dazzle in Chicago
Van Badham’s two lives gently collide in ‘The Questions’
Theatre review: Hits
Theatre review: Starweaver
Cabaret Festival review: Murder for Two
Cabaret Festival review: A Transgender Woman on the Internet, Crying
Review: Cirque du Soleil’s LUZIA
Acting to break the cycle of domestic violence
Film & TV
Film & TV
Film review: Sons
There's clarity to waking in fright - after all these years
When Hollywood calls: How Fiona McIntosh’s screen dream is coming true
Film review: Kinds of Kindness
Northern lights: The best new Nordic cinema
Film review: The Bikeriders
Lawyer turned actor takes a seat on the jury in The Twelve
There's no accounting for Colin - and now he's back!
Film Review: Emotion is Dead
Festivals
Festivals
Julia Robinson invites us into her haunted landscape
Music review: Adelaide Guitar Festival Winter Warm Up
Northern lights: The best new Nordic cinema
Illuminate review: Fire Gardens
Five ways to get your glow on during Illuminate Adelaide
Like moths to a flame… the magical allure of Fire Gardens
From rock to country: Guitar Festival unveils 2024 line-up
Cabaret Festival review: 2024 Variety Gala
'It's madness and we love it' – chaos reigns in this improv cabaret hit
Books & Poetry
Books & Poetry
Book review: The End and Everything Before It
Hillbilly Elegy: JD Vance’s memoir offers clues to his current politics
Poem: Evening Stroll by the Canal
The power of one: Champion of the reef remembered
When Hollywood calls: How Fiona McIntosh’s screen dream is coming true
Poem: Sky Bridges above the Seine at Marnay
Distance and Desire: Alex Frayne's deep dive into SA's landscapes
New SA literary journal launches inaugural writer callout
Poem: Arles Blue
Green Room
Green Room
Green Room: Choirs on a high, art prizes, poster callout
Green Room: SALA sees the light, celebrating excellence
Green Room: She Speaks, ‘unruly’ art, back on the bus
Green Room: ‘The longer you look the more Moore you see’
Green Room: Rueful Ben, Blak Futures, The Art of Dying
Green room: Magic and mayhem and madness
Green Room: Unique perspectives and dream opportunities
Green Room: A partnership forged in glass, Vitals to farewell longtime leader
Green Room: On lit, naked art, and a rockin’ role
Dance
Dance
Dance review: The Australian Ballet’s Jewels
Adelaide Festival review: Jungle Book Reimagined
Adelaide Festival review: Marrow
Adelaide Festival review: Guuranda
Adelaide Festival review: Private View
Smoke and Marrow: Daniel Riley looks to the future
Adelaide Festival review: Baleen Moondjan
Private View: Enter a world of secret desires and dreams
Baleen Moondjan: A ceremony to transcend time
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