Fringe review: I Don’t Want to Play House
Pakana woman Tammy Anderson offers an unflinching glimpse of a contemporary Australian childhood riddled with domestic and substance abuse in a performance that is both stirring and hopeful. ★★★★ ½
Pakana woman Tammy Anderson offers an unflinching glimpse of a contemporary Australian childhood riddled with domestic and substance abuse in a performance that is both stirring and hopeful. ★★★★ ½
Sam Simmons brings his unique brand of weirdness back to the stage, delivering an absurdist diversion from post-apocalyptic gloom, environmental disaster and panic buying. ★★★ ½
Confessional comedian Larry Dean offers an hour of self-deprecating, crude humour with a side of rowdy boyish charm. ★★★★
Dreamgun: Film Reads’ take on The Silence of the Lambs is an outrageously funny show that left me craving a Chianti and fava beans, as well as more of their absurd brand of comedy. ★★★★ ½
The Tempest in a tent. Four actors playing 20-plus characters. Hilarious, high-speed, on-stage costume changes. Could Shakespeare be any more fun? ★★★★★
Gone Girls is 55 minutes of quick-witted, captivating and sometimes titillating theatre, exploring how two female politicians from very different ideological parties manage power, leadership spills and #auspol. ★★★★ ½
The bomb’s gone off. You’ve survived the blast. How long would it take for you to lose the plot when faced with a life of total solitude? ★★★ ½
Erica Visser is like a kid in a lolly shop at this year’s Adelaide Fringe, attending three shows a night in The Garden of Unearthly Delights after winning a Golden Key to the parklands venue. With the Fringe heading towards its March 15 finale, Erica shares her some of her festival highlights.
Have your boarding passes ready and check your expectations at the door as you prepare to embark on a frightening journey into the unknown with Flight. ★★★★ ½
The world’s most dangerous ukulele band are back, with their punk-rock attitude ripping into tunes and proving the uke is worth more than its weight in chords. ★★★★
Furnace and the Fundamentals are bringing FURNAPALOOZA to the Adelaide Entertainment Centre for the Adelaide Fringe.
Are you prepared to feed a life-size dinosaur or have your head placed inside a T-Rex’s mouth? ★★★ ½
A night of cocktails and the suspension of reality with a line-up of Japanese magicians should leave revellers enchanted, not counting the minutes until the hour is up. ★★
Seven acrobats joyfully tumble, leap and bound to live percussion in this stripped-back and fun performance in Gluttony’s The Octagon. ★★★ ½
The line between dreams and reality is blurred, with often frightening results, in the spine-tingling immersive experience Coma. ★★★★★
It’s claimed that nostalgia ain’t what it used to be, but it’s indisputable that An Andrews Sisters Tribute time-shifts the Norwood Concert Hall with a charming program and polished performance that captivates its audience. ★★★★
What’s at stake when a child takes on the role of a parent? As a young girl fights to keep her family together in her mother’s absence, she’s forced to make difficult decisions. ★★★★
Saturated in emotional truth and unapologetically low-fi, Train Lord is testament to the powerful potential of Fringe shows that hark back to the no-frills days of the festival’s past. ★★★★
Equal parts intriguing and baffling, No.33 relies on its audience members’ curiosity to solve the mystery of what happened to the inhabitants of an old house. ★★★
A capella, beatbox, and themes such as modern technology and body dysmorphia are neatly stitched together in a scintillating show that breathes new life into Mary Shelley’s Frankenstein. ★★★★ ½
With little more than 30 metres of thick, white rope and the strength of their own bodies, the performers of One Fell Swoop circus deliver an hour of aerial acrobatic perfection. ★★★★
Chronic illness is too often undiscussed in today’s society and disability is even worse, with the prefix ‘dis’ meaning ‘the negative of’, but Floral Peroxide ensures Fringe won’t fall into the trap of conforming to these dissociative norms. ★★★★
Whether you’re a total music nerd or a philistine who thinks all disco is daggy, you’ll still benefit from a session of Disco Conversion Therapy with Aunty Jonny. ★★★★
If you’ve seen Velvet before, you’ll want to see it again. If you haven’t seen it yet, it’s about time you did. ★★★★★
Twenty-six Adelaide Fringe artists pitched their shows to Angela Skujins in four-minute bursts. These are the ones that won her over.
From opening the first door to closing the last, 1000 Doors is a claustrophobic maze of rooms and corridors that is equal parts haunting and nostalgic. ★★★★
Look out, Adelaide. ‘Property developer extraordinaire’ Frankie Foxstone AKA The Profit is on her way to lead a series of subversive interactive walking tours through our fair city – and she has the Parklands in her sights.
Adelaide Fringe audiences will be able to witness the “wildness, energy and dynamism” of Colombia’s young circus stars in a new show fuelled by the Latin beats and street culture of a rapidly changing country.
A working holiday in the Mediterranean ‘island paradise’ of Malta saw two British theatre-makers uncover dark secrets and weird politics… all of which inspired their award-winning Fringe show featuring a live dog, rum and sea shanties.
A roaming labyrinth connected by corridors strewn with photographs and forgotten objects will soon be open for exploration in the Garden of Unearthly Delights.