Adelaide Festival review: The Threepenny Opera
In Barrie Kosky’s new version, The Threepenny Opera has had a haircut and a makeover but the satire is still in there, along with Kurt Weill’s splendid music.
In Barrie Kosky’s new version, The Threepenny Opera has had a haircut and a makeover but the satire is still in there, along with Kurt Weill’s splendid music.
The centrepiece of the 2022 Adelaide Festival will be Barrie Kosky’s new production of Rimsky-Korsakov’s The Golden Cockerel, an opera the celebrated director says is weird and wonderful – part fairytale, part psychological drama and part political satire.
The Adelaide Festival’s centrepiece opera is funny, delightful and, at first glance, baffling: an Enlightenment celebration of the power of music and reason blasted by a rocket filled with fireworks into the contemporary world via the aesthetics of the silent film era.