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Opera review: Così fan tutte

Despite a last-minute change in personnel, Mozart’s Così fan tutte triumphs in every way. With extraordinary things to enjoy in this production presented by State Opera SA, it really couldn’t be better.

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Lisa Gasteen as Brünnhilde in 'Götterdämmerung' Act III of the Adelaide 'Ring'. Photo: Sue Adler / supplied
Commentary

A blazing spectacle: 20 years on, the Adelaide Ring remains unforgettable

Twenty years after the epic 2004 Adelaide production of Wagner’s 16-hour, four-opera Ring cycle wowed audiences and critics alike, dramaturg Peter Bassett gives InReview a behind-the-scenes glimpse of how it all came together and explains why the show is a landmark in operatic history that should make South Australians proud.

Music

Theatre review: Candide

In a rare bringing together of top-class theatrical and musical talent, State Opera South Australia and State Theatre Company South Australia’s Candide is an absolute scorcher.

Music

Maestro: fact or fiction?

Just how accurate is the Oscar-nominated biopic Maestro? Hannah Neophytou of State Opera ­– which will co-present a production of Bernstein’s operetta Candide in May ­– compares some of the events in the film to what happened in real life.