Adelaide Fringe
THE BUSINESS OF ART | After the shock of becoming new venue owners during a pandemic, Simone Avramidis and Chris Iley have fostered a thriving blend of community and artistry at Goodwood Theatre and Studios.
Adelaide Fringe
THE BUSINESS OF ART | Patrick Livesey has rapidly become a force in Australian theatre, but the artist – recently announced as a recipient of the prestigious Marten Bequest – says their rise has been hastened by the help of many supporters.
THE BUSINESS OF ART | Singing lessons that were supposed to help Alex De Porteous pursue a career as a sound engineer quickly became the foundation for a life on stage after the young artist was adopted into Adelaide’s cabaret community.
THE BUSINESS OF ART | Thomas Fonua’s journey from full-time contemporary dancer to becoming one of Australia’s most celebrated drag queens, an independent artist and community leader is book-ended by seminal Adelaide Fringe experiences.
THE BUSINESS OF ART: Theatre artist Andi Snelling set herself the goal of only engaging in creative work. After a move to Adelaide and the launch of an arts mentoring business, that vision has quickly been realised.
THE BUSINESS OF ART: It was a move to London that made Reuben Kaye an international cabaret star, but it was a trip to Adelaide Fringe that gave him the confidence to pursue a career as an original solo artist.
THE BUSINESS OF ART | As stage producer Richard Jordan wraps on a four-show digital season at Adelaide Fringe, the Tony, Emmy and Olivier-awarded industry heavyweight highlights how the festival drives arts innovation – in Australia and abroad.
