In a bustling Kent Town studio – surrounded by colourful stuffed toys and an eclectic collection of materials and artworks – Truc Truong reveals how art became her saviour during a dark time, and her excitement at the opportunity offered by a mentorship that will add new skills to her practice.
A tree-change to the Adelaide Hills has provided the perfect setting for Kyoko Hashimoto’s backyard experiments in ‘place-based’ paper making.
The Moon’s the limit for Cheryl Bridgart, who weaves wonderful stories with her intricate embroidered wall art and wearable art in an Alice in Wonderland-style home studio in an historic former horse stables in Adelaide’s CBD.
An exhibition showcasing Adelaide’s oldest movie cinemas not only shines a light on their important architectural contribution to South Australia, it also reflects their significance as glamorous social hubs over the decades.
Whimsical creations by ceramicist Bruce Nuske displayed in an exhibition space designed by the late Khai Liew are being shown alongside a meditative presentation by visual artist Dana Awartani in this captivating showcase at Samstag Museum of Art.
A damaged Khai Liew chair, a torn souvenir scarf from the 1956 Olympics, and a broken vase and perfume bottles owned by Paula Nagel are among a wonderful collection of repaired or transformed items on show in a new exhibition at JamFactory.
Lovely to look at – but not made to sit in – Marc Newson’s Cloisonné Blue Chair is part of a body of work the designer created using a centuries-old Chinese enamelling technique. It is on show in the Art Gallery of SA’s Metamorphosis display.
A fresh and comprehensive new narrative reveals how the Adelaide art scene post-World War II was an incubator of progressive ideas and talent, despite often being dismissed or disparaged in the wider mainstream history of Australian art.
Artist Chris Yee, whose digital animation Perspective Pathways was chosen to illustrate the cover of the 2023 OzAsia Festival program, says he is motivated to tell stories around Australian-Asian identity through his colourful and dynamic creations.
PHOTO GALLERY: In the 50 years since it began life in an old factory in St Peters, JamFactory has helped forge hundreds of creative careers and put Adelaide at the heart of Australia’s contemporary craft and design scene. Now, as it reflects on the past and looks to the future, it has one pressing need: more space.
The tranquillity of Clare Belfrage’s Kensington studio and the delicate beauty of the myriad glass works on display belies the high-stakes drama of the practice that has sustained the distinguished artist for the past 30 years.
For Craig Glasson, the studio is a ‘laboratory of ideas’. At times he needs silence to bring those ideas to fruition through his painstaking, design-inspired practice – but he also loves listening to techno music.
John Martin’s, Cox-Foys and Miller Anderson’s are just a few of the famous South Australian department stores celebrated in a new exhibition featuring architectural drawings and fascinating historic photographs.
Illuminate Adelaide will return this winter with a new night-time digital art trail through the Botanic Garden, a pavilion full of mind-bending interactive experiences in Victoria Square, free city-wide works by artists including celebrity chef Poh Ling Yeow, and a music line-up featuring Yothu Yindi.
Each year the Planning Institute of Australia Awards showcase the otherwise often unheralded urban planning projects that go into shaping our city and regions.
The romance of yesteryear will be reignited when North Adelaide’s Piccadilly Cinema reopens this month after extensive restoration and renovation work that has unearthed hidden treasures, added new features and will see the building become fully accessible for the first time.
Some of Adelaide’s office buildings are at near capacity while others languish. This month we showcase how a number of CBD property owners are successfully refitting, refurbishing and repurposing the city’s ageing building stock to respond to new needs, while others are tailoring new builds to a hybrid workplace.
A quiet cul de sac in Adelaide’s West End has become a haven for local glassmakers like Liam Fleming, whose more recent work was born from playful experimentation.