As audiences sit and wait for the The Story of Chi to begin, ‘Puff, the Magic Dragon’ by Peter, Paul and Mary, plays through the theatre. It is a nostalgic, emotive foreshadowing of what is to come.
Windmill Theatre Company’s Moss Piglet takes us on an enchanting, whacky and humorous journey through the world’s vast and at times brutal environments with one of Earth’s smallest creatures.
In a bustling Kent Town studio – surrounded by colourful stuffed toys and an eclectic collection of materials and artworks – Truc Truong reveals how art became her saviour during a dark time, and her excitement at the opportunity offered by a mentorship that will add new skills to her practice.
Holden Street Theatres’ latest triumph – a new production of Patrick White’s satirical play A Cheery Soul – is as absurd as it is touching, as challenging as it is utterly hilarious.
Isolation is at the heart of expressionist painter Tom Phillips’ latest body of work, yet there is a warmth to his bold paintings that welcomes in the viewer and evokes our empathy for the human struggle.
Working between a beautiful garden studio built by her artist father Robert and a spare room in her home, realist painter and 2024 Archibald Prize finalist Tsering Hannaford uses her practice as a means of both self-expression and connection.
Compagnie Carabosse’s Fire Gardens engages all the senses as visitors make their way through the myriad flaming sculptures illuminating Adelaide Botanic Garden.