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Music

Music review: The ASO's Ecstasy

To hear Anthony Marwood play Korngold’s Violin Concerto genuinely as a concerto and not as film music was revelatory, and so was Chloé van Soeterstède’s conducting in two much-loved works by Debussy and Rachmaninov.

Music

Music review: ASO's Glory

The ASO’s cathedral series could not have come a better time, and particularly this one called ‘Glory’. With conflict and tensions around the world, those seeking a moment of sanctity were amply rewarded.