Libidinal energy, jealousy and margaritas abound in David Williamson’s new comedy The Puzzle, but it may leave you wanting more.
A dark chapter in Australia’s history is being revisited by an ensemble of young local actors and creatives in a new theatre work exploring the experiences of underage boys who enlisted to fight for their country in World War I.
In Pride in Prejudice, some of the satire is apt and cutting, some of it falls off the proverbial cliff – such is the death-or-glory of comedy and politics.
Famous Last Words makes its first foray into Theatre of the Absurd with this contemporary adaptation of Jean Genet’s The Maids, a play that cracks open social class with deadly consequences.
Witness an ensemble of very lonely young people struggle to find love while submerged in a sea of dating apps and matching algorithms. ★★★½
In this experimental work, performer Matt Pasquet bends, flips and morphs his body to create a kinetic story within a single square metre of light. ★★★★