InReview InReview

SA QLD
Support independent journalism

Commentary

Are calls to cancel two Palestinian writers from Adelaide Writers’ Week justified?

Commentary

Controversy over two participants in this year’s Adelaide Writers’ Week raises issues of freedom of speech and cancel culture. Denis Muller examines the two cases.

Print article

The organisers of the 2023 Adelaide Writers’ Week, which starts on March 4, are under pressure to withdraw invitations to two Palestinian writers: one for her views about Ukrainian president Volodymyr Zelenskyy, and the other for his views on Israel and Zionism.

South Australian Premier Peter Malinauskas has condemned both authors. “I completely abhor the comments that have been made … they don’t accord with SA’s value system,” he said. “I’ve got to be frank, I’m surprised they are being facilitated at Adelaide Writers’ Week. I won’t be going along to hear them speak.”

Each case raises issues about freedom of speech and the phenomenon of “cancel culture”, but the cases are not identical.

The cases against Susan Abulhawa and Mohammed El-Kurd

The first concerns Susan Abulhawa, a Palestinian American writer who has published a series of novels, including a bestseller, Mornings in Jenin, based on the hardships of Palestinians in their continuing confrontation with Israel.

The second concerns Mohammed El-Kurd, a Palestinian writer and poet who lives in East Jerusalem and whose appearance at Harvard University in October last year generated protests from some pro-Israel students who criticised his rhetoric as antisemitic.

Of the two, Abulhawa’s case is more straightforward. The objections to her, raised principally by Ukrainian voices in Australia, are fundamentally political.

They arise from tweets she has published saying Zelenskyy would rather drag the world into a third world war than give up his ambitions for Ukraine to join NATO, and describing him as far more dangerous than his Russian counterpart Vladimir Putin.

She has also written tweets declaring: “DeNazify Ukraine”.

Extreme views

The president of the Association of Ukrainians in South Australia, Frank Fursenko, describes these views as “extremist” and says they contradict what most people feel about Ukraine’s position.

There is no question they are extreme views: they certainly contradict the Western world’s view of what is happening in Ukraine, and play into Putin’s propaganda about supposedly wanting to rid Ukraine of neo-Nazism.

However, none of that justifies silencing her. Her remarks are reported to be distressing to Ukrainians and doubtless would outrage much popular opinion, both here and in other countries broadly opposed to Putin’s invasion.

But they are essentially political, and in a liberal democracy the bar is set high if silencing political speech is to be justified.

Distress and outrage fall well short. The bar is generally set at the level where the speech does, or is likely to do, objective harm: intimidation, humiliation, vilification, incitement.

It is true the Racial Discrimination Act sets a lower bar by including the more subjective tests of insult and offence, but we are not talking about race speech here.

Grossly offensive, but antisemitic?

El-Kurd’s case is more complex: some of what he has tweeted has been denounced by the Anti-Defamation League as antisemitic.

In particular, the league has objected to his accusing Zionists of eating the organs of Palestinians and of lusting for Palestinian blood, and to his comparison of the State of Israel to the Nazi regime.

Some of what Mohammed El Kurd has tweeted has been denounced by the Anti-Defamation League as antisemitic.

By any objective test, these accusations are grossly offensive to a reasonable person of ordinary sensibilities, and civilised societies are rightly vigilant to challenge speech that creates any equivalence with the Holocaust.

However, are they antisemitic? The Anti-Defamation League says they are, and the league’s point of view must be respected.

But a counterview is that El-Kurd’s comments are directed at Zionists and at the State of Israel specifically, rather than at Jews as a people, and that therefore they are political in nature rather than racist.

This is a distinction on which people of goodwill can differ.

Fact vs opinion

Louise Adler, the director of Adelaide Writers Week, is the daughter of Holocaust survivors. She has drawn a different distinction – between the authors’ tweets and their published works.

This is a distinction based on proportionality. Should what an author says in a tweet be given the same weight as what they say in a substantial work of literature? She argues it should not.

A further distinction is between fact and opinion. No one is disputing the fact the Holocaust happened: it is a question of whether referencing the Nazis in a critique of Israel or Zionism amounts to antisemitism. No one is disputing the fact that Russia invaded Ukraine: the issue instead hinges on competing opinions about Zelenskyy’s strategy in response.

This distinction between statements of fact and statements of opinion is an important one, and it affects the criticism of both Abulhawa and El-Kurd.

Calls to cancel ‘unjustified’

The SA opposition deputy leader, John Gardner, has fallen into this trap with his opportunistic call on the festival organisers to cancel both writers. He compared Abulhawa’s tweets to spreading vaccine misinformation.

That is nonsense. Both speakers have engaged in tweets that are clearly polemical. But they are comments, not assertions of fact. Misinformation is a statement of erroneous fact.

Liberal democracies tolerate political opinions – however extreme, distressing or offensive – that fall short of violating the harm principle.

For that reason, as well as for considerations of proportionality, the calls to cancel Abulhawa and El-Kurd are unjustified.

Denis Muller, Senior Research Fellow, Centre for Advancing Journalism, The University of Melbourne

This article is republished from The Conversation under a Creative Commons license. Read the original article.

The Conversation

Make a comment View comment guidelines

Support local arts journalism

Your support will help us continue the important work of InReview in publishing free professional journalism that celebrates, interrogates and amplifies arts and culture in South Australia.

Donate Here

. You are free to republish the text and graphics contained in this article online and in print, on the condition that you follow our republishing guidelines.

You must attribute the author and note prominently that the article was originally published by InReview.  You must also inlude a link to InReview. Please note that images are not generally included in this creative commons licence as in most cases we are not the copyright owner. However, if the image has an InReview photographer credit or is marked as “supplied”, you are free to republish it with the appropriate credits.

We recommend you set the canonical link of this content to https://inreview.com.au/inreview/inreview-commentary/2023/02/20/are-calls-to-cancel-two-palestinian-writers-from-adelaide-writers-week-justified/ to insure that your SEO is not penalised.

Copied to Clipboard

More Commentary stories

Loading next article